TOBY BOOTHMAN 6/27/25 TOBY BOOTHMAN 6/27/25 Palette sequence for flesh tones Read More TOBY BOOTHMAN 6/27/25 TOBY BOOTHMAN 6/27/25 Complementary colours used to darken Read More TOBY BOOTHMAN 6/27/25 TOBY BOOTHMAN 6/27/25 Dry brush technique with charcoal Read More TOBY BOOTHMAN 6/27/25 TOBY BOOTHMAN 6/27/25 Chiaroscuro to create light Read More TOBY BOOTHMAN 6/27/25 TOBY BOOTHMAN 6/27/25 Terre verte with flesh tones Read More TOBY BOOTHMAN 6/27/25 TOBY BOOTHMAN 6/27/25 Camera Obscura Read More TOBY BOOTHMAN 6/24/25 TOBY BOOTHMAN 6/24/25 The Glazing system I use a number of transparent glazes, up to 30 layers over an underpainting. Read More TOBY BOOTHMAN 6/24/25 TOBY BOOTHMAN 6/24/25 Cross hatching drawing Read More TOBY BOOTHMAN 3/11/19 TOBY BOOTHMAN 3/11/19 Underpainting in monochrome It all begins with an idea. Read More TOBY BOOTHMAN 3/11/19 TOBY BOOTHMAN 3/11/19 Imprimatura It all begins with an idea. Read More TOBY BOOTHMAN 3/11/19 TOBY BOOTHMAN 3/11/19 Tempera and Emulsion Layers It all begins with an idea. Read More TOBY BOOTHMAN 3/11/19 TOBY BOOTHMAN 3/11/19 Guilding It all begins with an idea. Read More
TOBY BOOTHMAN 6/24/25 TOBY BOOTHMAN 6/24/25 The Glazing system I use a number of transparent glazes, up to 30 layers over an underpainting. Read More
TOBY BOOTHMAN 3/11/19 TOBY BOOTHMAN 3/11/19 Underpainting in monochrome It all begins with an idea. Read More
TOBY BOOTHMAN 3/11/19 TOBY BOOTHMAN 3/11/19 Tempera and Emulsion Layers It all begins with an idea. Read More